Sol Archer


Web Platform                                  coming soon

Who Makes The City

peripatetic web-magazine platform run in collaboration with a changing roster of hosts. Consisting of commissioned talks from international thinkers and practitioners and in-situ conversations in various cities focussed on questions of the contemporary urban condition.


Sol Archer (1983) is a Netherlands based artist working through collaborations with professional and non-professional groups, considering the encounter as a space of production. Frequently employing video as an apparatus for producing a doubling of experience, productive of work through collective act, and through the work productive of new collectivities, new ways of being together.

His work has been exhibited widely, including in the Sydney Biennial, Sydney, AU; Rozenstraat, Amsterdam, Golden Thread, Belfast, Northern Ireland, NL; Le Crac19, Montbeliard, FR; Index Foundation, Stockholm, SE; TULCA, Galway, IR; Le Lieu Unique, Nantes, FR; MuKHA, Antwerp, BE; and more.

Residency programs Sol has participated in include the Jan van Eyck Academy, Maastricht, NL; Capacete, Rio de Janeiro, BR; IASPIS, Stockholm, SE; Vicinities, Belfast, UK; PHLOX, Huns, NL; AIR Anterp, BE; Het Wilde Weten, Rotterdam, NL; and Digital Art Studios, Belfast, UK


This City Will Eat You Alive // The Production of Daily Life

“The ‘meaning’ of life is not to be found in anything other than that life itself. It is within it, and there is nothing beyond that.”

Henri Lefebvre

This City Will Eat You Alive is a situated study of Sailortown, a region of Belfast which until it was demolitished in the 1970s housed thousands of working class families, who worked in shipping, the harbour, factories, and timber. Since 2018, at the invitation of curatorial collective Household CIC, I have been spending time with the evicted community, for whom the disappeared area is the centre of group identity, and with young residents of new social housing therein.

The project is working towards an episodic film and sculptural installation, looking across decades at urban planning and development as colonial practices, being undertaken in a still-colonised and militarised space. Developed from strategies of auto-representation, through which the social and creative practices of the communities of Sailortown show the capacity for identity and community as agents of resistance, the project is rooted in questions around rights to the city, and by, for, and to whom the city acts.

Focussing on ongoing creative and community activities, particularly song, theatre, and poetry written by Dockers and their families, and remapping from memory of streets, domestic life and work on the site of the demolished streets. Alongside this I have been running filming workshops with children living in social housing in the area playing the neighbourhood, imagining their relation to the city, and their future as the city develops around them, repeating historical cycles of pushing low income groups out of the city.

The project will result in an exhibition at Golden Thread Gallery and later in the Netherlands, that mixes sculptural installation, painting, fabrics, and video. This project and its exhibition is an ongoing approach to considering the development and urban planning as colonial practices which erase specific ways of life, and understanding and supporting creative and community practices that arise as both result of and resistance to these urban processes.

Through these local stories and by platforming the non-professional and professional practices of the past and present communities of the neighbourhood we aim to consider creative community building as anti-colonialist and progressive urbanist action.

2018 period Made possible with the generous support of the Mondriaan Fonds voor Beeldende KunstDAS Digital Art Studios Belfast and NI Screen
2019 period made possible with the support of the Mondriaan FundsCBK Rotterdam, and the Paul Hamlyn Foundation.

sol archer 2019